The second act of the trilogy by Kronoteatro consistently takes the style of “Orfani”, dropping the reflection on the disintegration of the family in a mighty timeless dimension – A review by Renato Palazzi
Feb22014
Feb22014
The second act of the trilogy by Kronoteatro consistently takes the style of “Orfani”, dropping the reflection on the disintegration of the family in a mighty timeless dimension – A review by Renato Palazzi
The first of the three dates on the bill with the male-only Albenga company directed by Maurizio Sguotti digs effectively in the theme of paternal authoritarianism. However, it shows a gap between the older director and the younger performers – A review by Renato Palazzi Continua a leggere…
The Teatro Carlo Felice responded to the general crisis faced by the Opera Foundations with an opening in the name of quality, exorcising the uncertainty for the future – A review by Davide Annachini Per saperne di più
The specter of the 1955 legendary edition by Callas – Visconti – Giulini hovered on this “Traviata”. However, the impression of a spectacle hard to love and sometimes even to accept still lasts – A review by Davide Annachini Per saperne di più
Teatro La Fenice in Venice has chosen Meyerbeer ‘s L’Africaine to inaugurate its opera season. A reckless act during these hard times. The happy outcome has brought to our attention a job that grandparents of our grandparents knew by heart Continua a leggere…
Directed by Peter Stein, the play is emblematic but “unexpected”. A real Pinter’s play, cruel and ironic at the same time – A review by Maria Grazia Gregori Per saperne di più
Wayne McGregor returned to Italy with his latest cyber-creation for Random Dance, Atomos. The national premiere was staged at Teatro Valli in Reggio Emilia – Review by Silvia Poletti Per saperne di più
Fascinating and mysterious, Benedetto Sicca’s “The silence of the drawers” confirms his restless talent, marking a stage for his further growth after “Les adieux ” and ” Fràteme ” – by Renato Palazzi Per saperne di più